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mmancuso
10 June 2009 @ 04:18 pm
People who leave me ladybug-themed fabric to find when I least expect it are the best.

I'm lookin' at you, [info]drbitch.

It is so part of the whistle display. I might make lovely little shorts out of it!
 
 
mmancuso
http://www.cambridgema.gov/CAC/Community/river.cfm

It's fun. It's a big craft fair out near the water by Hahvahd. I bring whistles and sundry ceramics, a handful of paintings, etc. I'd love to see you, each and every one of you.

LOCATION: Along a mile-long stretch of Memorial Drive between JFK St. and Western Ave. Between Harvard Square & Central Square on Memorial Drive
Nearest MBTA station: Harvard Square on the Red Line
Wheelchair accessible

(And if any of you locals stop by in the 6pm region and have your, ahem, car with you, I'd truly love to see you. I usually want to jump in the River at that point, so arranging for alternate transportation might be wise.)
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Current Mood: chipper
 
 
mmancuso
03 June 2009 @ 06:39 pm
When I do an image search on "clay whistle" on google, and I get an image like the following, I figure SOMEone has to be looking out for me. I can only imagine what the pair is talking about.

http://media.photobucket.com/image/clay%20whistle/bostero_2006/nadwj3.jpg
 
 
mmancuso
Medieval Help Desk
http://www.flixxy.com/medieval-tech-support.htm

Yeah. Some days it's like that.
 
 
mmancuso
22 May 2009 @ 12:28 pm
You might want to know that I shall be taking over the universe Anydaynow, all thanks to decorative craft foam, gimp, and a neato adhesive that the shopkeep called "Twin Mount."

"What is this 'Twin Mount' you speak of?" you very well might ask. I didn't know it existed until today, and My Life It Is Changed: It is a thin membrane of adhesive, with peel-back coating on BOTH sides.

Remove one protective side and attach the exposed adhesive to a handy craft embellishment, say, the cat. Press to ensure full contact. Remove the other protective side and apply the embellishment to the substrate, say, the underside of the over-the-counter kitchen cabinets. More pressing, more full contact, etc. Now I can decorate even hard-to-reach areas without losing valuable counter space.

Even better, the membrane has a bit of flex to it, so you could attach somewhat flexible craft embellishments, say, the cat, to curved surfaces, say, the bottom of a large stainless steel mixing bowl. All the folks at this weekend's barbeque will wonder how you did it!

Posted from heaven.
 
 
mmancuso
20 May 2009 @ 02:51 pm
but some days you just need a drill press....
 
 
mmancuso
06 May 2009 @ 03:53 pm
There's a new batch of ceramic whistles over on flickr. There's a few under here to whet your, um, well you know. )
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Current Mood: cheerful
 
 
mmancuso
05 May 2009 @ 06:40 pm
Tonight, officially, I began to compile a mailing list of potential retailers in North America which might want to carry the leetle whistles, painted vases, or possibly both. It is chilling and thrilling at the same time. I hope to get 400-500 addresses by mid-to-end of summer to interest folks in carrying work for fall-winter 2009. The internet is my friend. Fancy picture postcards come in lots of 500.

I expect a modest response rate of 5-10% from my mailing/email gesture, giving me up to 50 rubes retailers willing to take a chance on my stuffz. I figure a dozen whistles to each store would be for them a comfortable start, which I think, even in this economy, would sell over a Nov/Dec period. But 50 stores carrying ten whistles each means a number of whistles unheard of in my dreams. Let's just see who answers, shall we?

I imagine this is like inviting hundreds of people to a party.

What if they don't come?
What if they do come?

My kingdom for something more than excel....
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mmancuso
05 May 2009 @ 11:44 am
It's so hard to find good help these days.
 
 
mmancuso
26 April 2009 @ 09:14 pm
To say that I know how to whistle while I work is something of an understatement. By Wednesday, I'll be over saturated with cute. Likely to sculpt an eviscerated bunny whistle just to get the saccharin taste out of my mouth.

The nasa-level mechanics R&D for whistles has been followed to its natural conclusion: plasticine, sheet copper, and plastic tubing cannot be forced to hold close tolerances no matter how many times you draw what it should do. Fancy sculpting waxes will be purchased in small quantities for prototyping after May 2nd & 3rd SOS, when R&D resumes.

We now return to our regularly scheduled "we make whistles the old fashioned way."

Bonus: New octopus whistles in handheld scale are in production. awwww. Having more than one tentacle is gonna cost extra. You've been warned.
 
 
mmancuso
21 April 2009 @ 09:33 pm
It's nice to know that when I go completely crazy, I shall be permanently unreachable by annoying persons.
 
 
mmancuso
19 April 2009 @ 12:06 am
"The difficult I'll do right now. The impossible will take a little while."

Namely, the impossible will take twelve days. Somerville Open Studios is May 2-3. I'm in it, and whatever ceramics I can pull off. Whistles? You betcha. Email invitation follows in a coupla days, if you're one of the cool kids.
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mmancuso
08 April 2009 @ 10:12 pm
I feel the openness of the ceramics classroom is like the living-room of the hostess giving a party. If you're not in my class, or even if you're not taking pottery at all, you're welcome to come in to talk to anyone you want. However, when the hostess introduces herself to you, she is giving you the opportunity to say something other than "I know." :)
 
 
mmancuso
08 April 2009 @ 03:11 pm
"How is this pottery class different from all the other pottery classes?"
 
 
mmancuso
05 April 2009 @ 11:36 pm
My dear cousin from New Orleans, the psychiatrist, called me yesterday* to say that she was in Boston on business. Was I free later that night to have dinner with her and her colleagues at Fancy Eyetalian Restaurante across from the hotel? Yes, I was, thank you for inviting me, I'm broke, no it doesn't matter, etc etc.

In the five or so hours before dinner I was an emotional mess. She's wonderful, but having seen her the last two times at funerals, it opened up stuff. With her being a psychiatrist, I imagined all sorts of conversations: should I ask her for advice? Will I babble inanely about stupid stuff? Family has almost never come to see me in Boston; only my brother visited in 2004 or 2005, so that in itself was an Event. My cousin and I were closer when I was in my early teens, which made those times look unfairly distant, and of course, blurry from all the damned vaseline on the lens.

While doing an emergency load of laundry to have something to wear, I wrote a bit, because while one has a great huge sobbing fit, one tends to say things to one's self that one might be useful later. For a few hours I was afraid I wouldn't be able to go. However, the storm passed. I made a small fuss over clothes and basically ended up looking like a conservative choirboy, and had a very nice time. We talked of string and ceiling wax and other things. In addition, there was family gossip traded back and forth, because everybody knew everybody else until the young people started to move away. Moreover, she had access to events before I was born, which for some reason seemed to come up over dinner. She treated me with two gems of insights about my biological parents that has little importance to anyone but me:

I knew my father was pretty good at all kinds of sports, and she reminisced that he was at one time, known for a position in football that involved catching but which has long since been subsumed in another position. She couldn't remember the term (half-back? split-back?) and I only know about tight ends. He could catch anything. She pointed out that his prowess at each sport seemed to come from the fact that he never liked to be a dilletante at anything, but once he learned it, would go on to something else.

Sound familiar?

I also knew my mother was not the most outgoing type, but one of the things she mentioned is that there were all sorts of clues that she might have had a kind of social phobia --long before such things were identified and which could be treated with medication-- that made her seem to my cousin shy and afraid. I told my cousin that if that was the case, and if it were genetic, then it would explain some things. There were a number of things in my lifetime that we were trying to arrange neatly on a timeline. It was oddly comforting to talk about even the unpleasant things, in a way, I suppose, it might be nice to find every last one of the broken parts of a vase.

She gave me some advice about school plans and about a handful of things that came up, which shall be taken under advisement. It was tremendously nice to talk to someone with that particular mix of familiarity and detatchment. I don't know what we'd do if we were constantly around each other, but several hours were comfortably filled up.

I gave her a ladybug whistle for her 11-year-old named after my grandmother, and the blue and green painted vase, which was among the first of the ones that I made public. The Extended Family hasn't got any current information on me, and the vase very satisfactorily surprised her. She was very appreciative, and I know it's in the family. In fact, she called from the layover on the way back home to thank me again for it.

Overall, her visit was a very nice surprise, I had my meltdown and recovered, and have been busy with current art projects all today with a kind of lifted-load feeling. Temporary, of course. But there's been a bit of a context readjustment which is kinda pleasant.

Back to work......

*You should know that the cousin and I both love Moonstruck. She would have been amused, I think, to know that when I saw the home-town area code in my phone from a non-parent number, I remembered one of my favorite lines of Olympia Dukakis' character, Rose**. In the scene where her husband and daughter appear at her bedside in the middle of the night to tell her something, she opened her eyes, "Who died?"

**The other favorite line of mine is also hers: "Old man, you give those dogs another piece of my food and I'm gonna kick you 'til you're dead!"
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Current Mood: chipper
 
 
mmancuso
01 April 2009 @ 11:55 pm
The evening has played itself out again:
a money panic playing tag-and-release with my organs;
a lesson for the little clay wranglers, an juicy insight here and there,
neither wasted nor truly tasted;
then it's over, tatters of a day remain.

I search for poems to set to music,
as though I can read poetry
or write music--
a soprano solo I should think!

And why not try, since I can't anyway?

I settle on Tennyson,
"O, Were I loved As I Desire To Be"
and print it out, shaking my head--

--an inspired twit
is nevertheless still a twit, and Mahler is still Mahler.

Fourth Symphony, fourth movement,
beautiful, soaring, literate, ringing, clever:
"Heaven's Life" or "Das himmlische Leben"

Fools rush to write where angels fear to tread.

Tomorrow,
more lessons, ladybug design, some heavy bargaining and pleading,
more music, more wandering.
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Current Mood: envious
 
 
mmancuso
29 March 2009 @ 07:38 am
Seeing old photographs --the hair, the airbrushing!--
has lost what little charm it had going for it,
but those prints still drag my eye.
There is something affecting about chemical mortality of inks. Pick any metaphor you like.
I come across photos from time to time, and I stare longer than usual.
We were all young and smiling at some point. Many of you were pretty hot. Some of us just
didn't realize it was happening at the time.

It is not the same,
being young and not being old yet--

--photographs of people I've come to recognize
but never knew
may as well be as real as mine.
Most or all recognition is gone.

It galls me to watch optimism --I apologize--
in the college-bound, the eager to belong.
Choosing among scholarships,
joining their graduating class-of-Now-Plus-Four-Years on facebook...
Best of luck to you all during the goal rush,
panning for your futures.
You can shoot your digital memories all you like,
you won't have any sepia to look back on, nothing to cause you to take stock.
Maybe it's for the best.

I have taken to looking around a bit, not so much craning my neck at the future
as trying to look both ways before stepping in it.
But the reading the newspaper is like scanning over an
error log from a machine I never understood, which now
rests in piece(s) at the bottom of an embankment.
Recklessly operated, flinging off parts that never fit anyway, now
no longer even trying hide it.

It is hard to feel sorry for other people's machinery
or for people of any age,
except maybe for the young in photographs.
I would help them, help myself if I could.

Hindsight, in this case, is no improvement.
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mmancuso
25 March 2009 @ 01:38 pm
My flickr photos average a nine or so hits on a good day, burbling along in the 7-12-20 range, sometimes none, sometimes 40.

So, what happened to cause 229 for today? The newest installments a couple of days ago, the ladybug maquette, isn't registering so many new hits by itself.... A pleasant, if anonymous, endorsement, but weird.
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Current Mood: giggly
 
 
mmancuso
22 March 2009 @ 11:41 pm
(¡ɔ uɐp 'ıɥ) ˙1=pןoɯ ɹǝʇsɐןd ˙0=ɔɹɐɯ ˙sןǝǝɟ uıɐɹq ʎɯ ʍoɥ sı sıɥʇ
 
 
 
 
 

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